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Kendrick Lamar’s Halftime Show Was the Moment—And the Message

Kendrick Lamar opens his Super Bowl halftime show on the hood of a car on Sunday, February 9. Jamie Squire/Getty Images

Kendrick Lamar didn’t just perform at the Super Bowl. He claimed it.

From the moment he stepped out of that vintage Buick Regal, there was no mistaking what this was: a halftime show that wasn’t built for nostalgia, cheap thrills, or mass appeal. It was Kendrick, in full command of the biggest stage in the world, reminding everyone why he is the defining artist of his generation.

This wasn’t a playlist of feel-good, radio-friendly bangers. It was a setlist that meant something. HUMBLE. still sounded like a shot to the system, DNA. pulsed with defiance, and Not Like Us—already a West Coast anthem—felt like a coronation. Every song was a flex, but not just in the “look at me” way. Kendrick’s music has always been bigger than him, and this performance was no exception.

The PlayStation controller backdrop was a genius move. More than just a cool visual, it spoke to something deeper—the way we experience culture now, how we consume music, how nostalgia and the digital age are fused together. Kendrick understands the language of now better than just about anyone, and he speaks it fluently.

But the moment : Serena Williams crip walking to Not Like Us. An image so effortlessly iconic, so undeniably Black and joyful, that it instantly cemented itself in the cultural hall of fame. Watching Serena reclaim her power from a disruptive and racist narrative was unlike anything. If you didn’t get goosebumps watching that, you might not have a pulse.

Credit; Associated Press

SZA’s appearance brought a beautiful contrast, her voice cutting through the Superdome like a beam of light. As she and Kendrick performed All the Stars, it was a reminder of the depth within his artistry—the ability to be both fire and water, intensity and grace. The anticipation of their summer stadium tour is by all means feverish.

This performance also effortlessly reminded us of the urgency of these times. A cast member pulled out a flag representing Sudanese and Palestinian solidarity, an unscripted act that the NFL quickly scrambled to distance itself from. But the moment happened. It was seen. It will be remembered. Because the thing about Kendrick is that even when the system tries to package him up, put him in a box, and make him palatable to the masses, the truth of his work always breaks through.

This halftime show wasn’t just entertainment—it was a timestamp. A declaration. A reminder that music isn’t separate from the world we live in; it reflects it. In an era of protest, identity, and resistance, Kendrick Lamar didn’t just give us a show. He gave us a mirror.